Sunday, September 25, 2011

Defending the Muse: Michael Stein and Paul Georges

Paul Georges
The Studio
120”x79 1/2” oil on canvas 1965
The Whitney Museum Collection, New York
Courtesy Paul Georges Estate

Michael Stein's new novel "The Rape of the Muse" ponders the worth of art and the place of beauty in our contemporary society. Stein's re-imagining of painter Paul Georges' trial for libel in 1980 updates the events to the 21st century and fleshes out the characters with a post September 11th ennui. When Georges' trial took place in 1980, the Neo-Expressionist boom in art was just beginning. Emotional, brightly colored paintings using the figure as a theme filled galleries in New York and Europe. In that time Paul Georges’ artwork was included in exhibitions at the Whitney Museum in New York, the Rose Art Museum at Brandeis, and the Pennsylvania Academy of Fine Arts. But still, Georges was an outsider looking in on an art world that often considered narrative painting to be atavistic at best - reactionary at worst.

Paul Georges
The Mugging of the Muse
80”x103” oil on canvas 1972-1974
Courtesy Paul Georges Estate

Michael Stein adeptly weaves elements of Paul Georges' life into the story of his fictive painter - Harris Montrose. Montrose cares deeply about the gift and responsibility of art. This humble esteem for the muse that stokes his creative fire leads to a showdown with an artistic colleague over a limned image. Are we all fair game for artistic interpretation? Is anything really private anymore? Is the language of painting relevant to our time?

Stein brings in a young artist, already marked by the reigning critics as one to watch, who is psychologically blocked from the creative process. This young artist, Rand Taber, becomes Montrose's studio assistant. As if in a scene from Martin Scorsese's segment in the film "New York Stories", Taber learns life lessons from his mentor Montrose. In this sense, Michael Stein seems to hold up the elder painter as a pugnacious model of validity. Harris Montrose paints like his life depends on it. The muse needs to be honored. And if anyone gets in the way they should heed the warnings. The muse shall be avenged.

It is refreshing to read a work in which art is considered deeply as much more than a commodity or a means to privilege. Michael Stein’s “The Rape of the Muse” is gutsy – almost an aesthetic bar fight of a novel. It is heartening to feel Paul Georges’ passion seep into Stein’s writing. Art is not just style. At its best, art considers life and then makes something new. Michael Stein’s “The Rape of the Muse” digs into the life and work of the forceful painter Paul Georges and conjures up a story for our moment.

Highly recommended.


Michael Stein

More at:
Life and Art of Paul Georges
Michael Stein's Website

Friday, September 16, 2011

Theater of Memory: New Exhibit Opens October 4, 2011 at the Monterey Peninsula College Art Gallery

Theater of Memory
Gregg Chadwick
Theater of Memory
48"x48" oil on canvas 2011

Theater of Memory
New Paintings by Gregg Chadwick


Curated by Melissa Pickford

Monterey Peninsula College of Art Gallery

Opening on October 4, 2011
Runs until November 4, 2011

One could say we all create paintings as we distill meaning from the rush of life. Experiences, moments, thoughts, actions, memories, and dreams mix together and overlap in our minds and hearts bringing patterns and understanding in our everyday life. My paintings in the exhibit, Theater of Memory at the Monterey Peninsula College Art Gallery, echo this cognitive-emotional process. My artworks evolve through a series of painting sessions in which colors and images overlap, merge, and flow.

At times, my paintings begin close to home with remembered dreams of family members. In the title painting, Theater of Memory, my much loved late nephew Luke Chadwick appeared unbidden, but at the perfect moment. His faint smile recalled a day many years before, when I began a painting in his Seattle bedroom. As Luke watched me mix my paints on an improvised palette, he exclaimed with the intuitive vision of a child that the color I had mixed would not do. “Don’t fear color”, he said in so many words, as he pointed to a rich ultramarine glistening on my palette.

In honor of Luke and my father, Robert Chadwick, I purchased a tube of genuine lapis lazuli from the London color maker Michael Harding. This true ultramarine, ground into a crystalline powder and mixed with linseed oil on a stone mill, is the color blue found in Renaissance skies. Transparent layers of this lapis mark each of my paintings in this exhibit. Sourced in Afghanistan, lapis lazuli, reflects the historical tides of trade, conquest and conflict that ebb and flow across this region and the globe.

More at:
Gregg Chadwick's Theater of Memory


Monterey Peninsula College Art Gallery

980 Fremont Street Monterey, CA 93940-4799

Melissa Pickford, Curator
More info at: mpickford@mpcgallery.com
831 646-3060

Receptions for the artist:
Thursday, Oct. 6, 2011 from 12:30 – 2 pm
&
Saturday, Oct. 8, 2011 from 4 – 6 pm

Gallery Hours: Tues-Fri 11am - 4pm or by appointment
Admission: Free
Parking: 4 quarters



Catalog Available:


Please Note:
Also in the gallery under the tandem title Humanitas: Paintings by Cynthia Grilli.

Saturday, September 10, 2011

Finding Beauty in Our Art & Lives: Upcoming Workshop With Gregg Chadwick & Phil Cousineau at Esalen in Big Sur (Weekend of September 30-October 2, 2011)

Beauty and Sadness ( 美しさと哀しみと)
Gregg Chadwick
Beauty and Sadness ( 美しさと哀しみと)

Often cocooned in our metal boxes as we speed through our days, modern life can seem barren and uncreative. How do we find joy in our lives? Where is that creative spark found?

Join Gregg Chadwick and Phil Cousineau as we explore the nature of beauty in our art and being.
Coming up at Esalen during the weekend of September 30 through October 2nd 2011, we will venture into the realms of artistic creation and personal discovery with exercises in visual art and discussions around the mythic importance of beauty. I hope you can join us at Esalen as we use the arts to get back to life.

For info and reservations:
Who Stole the Arms of the Venus de Milo? The Myth of Beauty from Aphrodite to Ansel Adams
Feel free to email me directly with questions or ideas at speedoflife@mac.com .